Filmmaking

My filmmaking work focuses on collaboration, storytelling, and the technical craft of production. I have worked in multiple on-set roles, including assistant directing, sound, and camera, with an emphasis on understanding how different aspects of production contribute to narrative and audience experience.

I am particularly interested in how film form shapes meaning and how technical decisions influence emotional and interpretive outcomes. My future work as a writer, director, and producer spans both independent and industry contexts, across short and feature-length formats.

I am especially drawn to body horror as a genre for exploring identity, with a focus on trans and disabled embodiment. Through this work, I aim to engage questions of transformation, perception, and the limits of representation in visual media.

Selected Film Work

Call Your Mother (2025)

Roles: First Assistant Director, Boom Operator, Production Sound Mixer

A short period thriller in which a man is struggling to hide a terrible secret from his neighbors and coworkers.

This project deepened my understanding of on-set coordination and the relationship between sound design and narrative tension.

Swipeopaths (2018)

Roles: First Assistant Director, Boom Operator, Assistant Camera

Two serial killers are searching for their next victims on Tindr when they match and a night of chaos ensues.

This project introduced me to multi-role production work and the challenges of maintaining continuity across technical and performance elements.